Statement

Assunta Cassa has created her own original figurative language through the division of the visual space that originates from the fragmentation into pixels of digital images.

In particular, she takes her cue from the “dimension” that we unconsciously live in our smartphones, computers, tablets: the tiny, infinitesimal pixels’ dimensions, which, incredibly fast in their overlapping, animate the images and give life to our screens.

Assunta Cassa, Dancity, 60×170, 2020

She also paints portraits, in which pixels of bright and material colors express the many facets of the interiority and complexity of the people depicted.

Female images dominate, often beeing captured behind to observe the sky and sea merging in the horizon, a reflection of the quest for self-awareness and value and to conquer the freedom to follow one’s own path.

These are depictions of a timeless dimension, where city and nature interpenetrate with the image of the protagonists, the fragmented colors intertwine and merge; the result is a powerful representation of moods and a feeling of mental and physical energy, that is projected towards the viewer.

Assunta Cassa, Monica Vitti, 40×40, 2022

Assunta Cassa, Malala: stronger than fear, 100×100, 2020

Assunta dedicates also a series of works to the theme of freedom. Such as the Malala’s portrait, the younger Nobel Peace Prize, symbolically portrayed between the bars of a prison that break, thanks to her fortitude.

Between 2011 and 2015, she also painted abstract works, in which she expressed her most intimate emotions and the sounds of her own soul with fast and instinctual spatulas. The whirlwind of emotions permeates her paintings, a dialogue between color and unconscious that allows her to express the deepest experiences, from pain to joy and freedom.

Assunta Cassa’s abstracts communicate with us through color, free from compositional graphic constructions, the soul of Assunta, proud, solemn, passionate, joyous, crazy, nostalgic, with the same musical and chromatic rhythm also present in her figurative paintings.